K&B Insider · Culture, nature & design
A lifetime of
looking closely.
The places, encounters and small details that have shaped the way I see a room.
A beautiful material catches your eye. A view draws you through a space. A welcome makes you feel instantly at ease. Over the years, I have carried moments like these home with me—and into our work.
gathered over many years.
01 / A curiosity about culture and place
It begins
with culture.
In my early twenties, I worked hard and saved so that, when the opportunity came, I could experience another part of the world. Culture was always the first attraction: daily life, the welcome you receive and what makes a place feel entirely its own.
I sought out exceptional hotels and spas, but I was just as drawn to buildings with history and a strong connection to their surroundings. One stay that deserves its name here is Kasbah Tamadot, Sir Richard Branson’s retreat near Asni, in the High Atlas Mountains beyond Marrakech.
I have always associated it with his mother, Eve. The family story helps explain why: Eve and Ted Branson discovered the property and encouraged Richard to buy it and turn it into a retreat. It had been the home of antiques dealer and interior designer Luciano Tempo, whose collection helped furnish the hotel when it opened in 2005. That is a wonderful starting point for a conversation about interiors: a place shaped by objects gathered over a lifetime.
During that trip, I went into the mountains and was welcomed into local stone homes. I remember the beautiful teapots and the care taken over brewing and serving sweet mint tea. There were tagines and tangerines, and such a generous welcome. The ritual was as memorable as anything I saw in the hotel. I still love mint tea, although with rather less sugar!
For me, those experiences belong together: a remarkable place to stay and the opportunity to understand a little of the life around it. I came home remembering the hospitality, the materials and the way even a small everyday object could have such character.
The same is true of Boracay in the Philippines and the coast of Vietnam. On journeys through Vietnam, stopping for a meal on someone’s veranda was a wonderful experience. The setting could be simple; the welcome made it memorable.
02 / Coastlines, mountains & a sense of home
Room to
look outwards.
03 / Dubai → A lasting love of mosaic
When a material
stops you in your tracks.
On an early trip to Dubai, in the early 2000s, the Burj Al Arab was already on my radar. I wanted to experience the architecture and interiors for myself. Staying there was beyond my budget, so I was based much further along the beach. One day, I set off on a long walk towards it, determined to see inside.
I visited, booked a spa treatment and returned the following day. In the lift, I met a butler who kindly showed me one of the two-storey suites. There was an extraordinary grand staircase rising through the middle of the space. Being able to see how those two floors worked together was an unexpected treat.
I remember the sheer scale, the gold surfaces and the columns shimmering with mosaic. I kept looking at how the materials caught the light. Those details made an enormous impression on me at a time when this kind of hotel design felt quite extraordinary.
That experience sparked a fascination with mosaic that grew into my long-standing love of Bisazza. What I brought home was the excitement of a material: the possibility of making a wall, a curve or a whole bathing space feel special through colour, texture and light.
The influence in our own work
That love of mosaic runs through our projects and our studio, from bathrooms to the heated wedi chaise longue and our spa setting. I love the way all those small pieces can bring depth, colour and movement to a surface.
04 / Looking beyond the finish
How a space
makes you feel.
Wherever I travelled—including New York—I made a point of experiencing a high-end spa. I was constantly looking at the details: how something had been made, how the spaces connected and which materials had been chosen. The treatment was only part of what I took away.
I would notice the approach to a treatment room, the view from a bathroom and the way a material felt in the space. A memorable spa experience often began well before the treatment itself.
At Fortina Spa Resort in Sliema, Malta, I remember a cocoon-like treatment pod in the bathroom, with my head resting outside, and a Jacuzzi in the room. A therapist could come to the room for treatments, too. Some spa suites even had their own private rooftop pools. It was an incredible idea: the room itself became a private spa.
Those experiences still inform my interest in wellbeing at home: daylight, privacy, warmth, materials and the little rituals that make a space a pleasure to use. I hope something of what I have learned finds its way into the homes we create.
Our approach to wellbeing at home →Our Sunshower setting, with an AXOR shower and Bisazza mosaic.
The story behind the shower →
05 / The details beyond the room
A place has
its own rhythm.
Havana stays with me as a combination of architecture, classic cars, music and atmosphere. The hotel where I stayed had an old-world character that felt like stepping into another era. Out in the city, those older cars and buildings made such an impression.
I remember going through a red British telephone box and down into a basement jazz club, where a saxophonist was playing. That unexpected entrance was part of the magic: a small doorway leading to a completely different atmosphere. Even a mint-filled mojito and the glass it was served in became part of the memory.
In New York, I stayed in another older hotel and was fascinated by its architecture and sense of history. San Francisco gave me something entirely different: the tight bends of Lombard Street, winding down a steep residential hill. It was such a distinctive way for a street and its homes to meet the landscape.
Time in Kona, Hawaii, and years of travelling around Europe have all added to that collection. I am always looking—at nature as much as interiors, and at the ways a place becomes personal. Sometimes it is a grand staircase; sometimes it is a teapot or an unexpected entrance. The scale of the detail does not decide how long it stays with you.
“I’ve learned so much by travelling and culture—and nature.”
Lisa Melvin · Founder · On the influences behind her workThe thread through it all
What comes
home with me.
Materials worth looking at twice
Texture, colour, craftsmanship and the way light changes a surface.
Views, privacy and a sense of space
Considering what you see from a room, as well as what sits inside it.
Small rituals, thoughtfully considered
Making room for warmth, comfort and the pleasure of slowing down.
06 / The chapter still to come
Japan.
Still on my wish list.
A future journey.
A curiosity already shaping the conversation.
I haven’t been to Japan yet, and I would absolutely love to go. Having worked with TOTO for many years, my interest in Japanese bathing and attention to detail has continued to grow. More recently, Japanese food has become part of my everyday life too.
I want to experience the culture for myself: the food, the communities, the relationship with nature and the way daily routines support a sense of wellbeing. Exploring by bicycle really appeals to me—the chance to notice a landscape at a different pace.
There is so much I would love to investigate firsthand and bring back into our design conversations. For now, it is a place I am looking towards, with a great deal of curiosity.
Read our long-standing TOTO story →“TOTO, if you’re listening…
I would absolutely love to come.”
A design ambition
A hotel spa.
A shared vision.
Another dream is to bring that lifetime of looking and learning into a hotel spa collaboration. I would love the opportunity to do more in this world, working alongside designers whose approach I admire.
Sparcstudio is one of those teams. I visited Cottonmill at Sopwell House in St Albans and thought the spa was extraordinary. Its design brings together architecture, interiors and a garden as one experience. That is exactly the kind of conversation I find exciting.
Opened in 2019, Cottonmill’s interiors and architectural design were developed by Sparcstudio, with ISA Architects assisting with the building’s delivery and Ann-Marie Powell designing the spa garden. The connection between the glazed spaces, the water and the garden is a lovely example of different disciplines working together.
It brings me back to what I love in our own studio: exchanging ideas, sketching, questioning a detail and letting a design develop through conversation. I would love to meet the Sparcstudio team, learn from them and, perhaps one day, contribute to a hotel spa together.
The ideas I’d love to develop
From an influence
to a collaboration.
Some of the most exciting possibilities begin with a detail I can’t stop thinking about. Alongside a hotel spa, these are a few conversations I would love to take further.
AXOR / Water & daily rituals
A little of the spa, every day.
I would love to explore how beautifully designed fittings and thoughtfully specified water treatment could come together with the small pleasures of a spa: a warm face towel, a discreet cooling drawer and drinking water within easy reach in the bedroom suite.
Explore the ideas for water and daily rituals →Bisazza / A personal composition
My own story, in mosaic.
That fascination sparked in Dubai has become a long-standing love of Bisazza. The next dream is to develop a mosaic with them: a personal composition of colour and pattern, created around the atmosphere of a room.
The Bisazza ambition →Splinterworks / Art & a sense of play
Something wonderfully unexpected.
There is room for delight as well as calm. A sculptural pool slide by Splinterworks is an idea I keep coming back to—something that becomes part of the architecture and brings a little adventure into a home.
Read the Splinterworks story →Your own collection of influences
What has
stayed with you?
A view, a favourite hotel, a material or a daily ritual. Bring it into the conversation and we can explore what it might mean for your home.
Places, sources & further reading
Lisa’s memories are illustrated with photographs from our own studio and projects. The design notebooks link to the architects, studios and hotel histories; dates distinguish original designs from later refurbishments. Further reading:
- Good Spa Guide · Fortina’s spa bedrooms, as visited in 2014 ↗
- Times of Malta · Fortina’s original spa bedrooms and private rooftop pools ↗
- Virgin Limited Edition · Kasbah Tamadot’s opening in 2005 ↗
- Kasbah Tamadot · Luciano Tempo’s collection and local craftsmanship ↗
- KCA International · Burj Al Arab interiors ↗
- Mandarin Oriental Bangkok · The Oriental Spa ↗
- BodyHoliday · Saint Lucia ↗
- WATG · Wellness portfolio including Zara Spa (PDF) ↗
- Mövenpick Resort & Spa Dead Sea · Jordan ↗
- San Francisco · Lombard Street ↗
- For a future journey · Cycling Japan’s Shimanami Kaido ↗
- The French Riviera · Villefranche-sur-Mer & Cap Ferrat ↗
- Alpe d’Huez · The French Alps and Auvergne-Rhône-Alpes ↗
- Cape Town Tourism · Blouberg ↗
- Sparcstudio · Cottonmill and its full design team ↗

